![]() When we last spoke, you shared that you received feedback and even signoff from the Boys' creator, Neil Gaiman. She's thirteen years old, and into detective mangas and a particular MMORPG. What can you tell us about Crystal?Ĭrystal is the tech savvy daughter of a washed-up Britpop star and a media-obsessed Young British Artist, who is no longer so young. You're also adding a new supporting character to the mythos. But there are even badder guys on the horizon. And, yes, it's quite possible he'll make a return appearance. He is extremely horrible, and was great fun to write for. Locke continue to play a role beyond "The Witching Hour," because he is one of my favorite new bad guys of late. What? They're not staying together as a duo? Can you explain? And, like I said, they're going to be drawn back to where they have unfinished business. I don't think it's any secret that the boys don't stay as a duo for too much longer. What can and can't ghosts do?Ĭan you give us a tease of what's ahead in the first six to twelve issues? Storylines? Villains? Supporting characters? Charles, in particular, wants to test his own limits. The discrete cases will bring out aspects of the ghost world that the boys have inhabited without really investigating. I'm hoping it will be a combination of both. ![]() Will these individual cases be done-in-one adventures like the Hardy Boys, or will you be telling larger stories over longer arcs through multiple issues? Our ambitions are to have the boys continue to pursue individual cases, but there are some much bigger things at stake than lost cats - even extremely cute and feisty lost cats. For the most part, though, they are going to be encountering a much vaster universe of trouble. These are all new adventures, but they will be taking Charles and Edwin back to some familiar locations, allowing them to conclude some long-neglected business. Will you be resurrecting and reimagining classic adventures of Charles and Edwin, or are these all new adventures? When we left them last time, the boys were desperately trying to escape by climbing a crane. Locke whistles up all the savage hounds that inhabit the Isle of Dogs to chase Charles and Edwin and to tear them to pieces. Locke's pluckier students, have managed to escape, but Mr. The Dead Boy Detectives, assisted by a couple of Mr. They were for the poorest of the poor, for orphans and street children. Locke, who has been running a 'Ragged School' since 1844. However, whilst in pursuit of their quarry, the boys are captured by the spirit of a demented Victorian schoolmaster named Mr. Edwin has done his best to keep the investigation on track. Of course, Charles - as he always does - has fallen for Maddy. And the clients who hired them, two girls called Maddy and Libby, are also ghosts. In fact, they've been reduced to that lowliest of detective activities: Searching for a lost cat. Cases just haven't been coming the boys' way. Things haven't been easy over at the Dead Boy Detective Agency - or tree house.
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